All the photography/images on this website, unless otherwise noted (scroll toward bottom), is property of and myself: owner, author, photographer.  It is my joy to share these with you. If you’d like for others to see the photograph (via social media, etc.), please link to the website’s page where the photograph is featured. Please leave a comment and I will get back with you if you have questions. 


Please don’t screen-shot and send or “copy/paste” and send, as tempting as that can be.  It is wrong to distribute another’s work to others uncredited, uncompensated, and without notification or permission. It is my intent to share with you, so please just give me a chance to meet you and to share in the joy of giving.  Thanks!
PERMISSIONS:  Contact me for permissions via comment and I will get back with you as soon as possible. Permission is not automatically granted to use my photography for commercial purposes or for use on personal non-profit websites or social media, or any other form of non-profit distribution without contacting me first for permission. When you do receive permission, please be sure to tag the photo: “xxxxxxxxxxx”, by Tamara H.W. Used by permission. (“Xxxx” is the title given on the site or through the permission process). 


Show Me, Parts I and II:  There are three photos.  The statue of the mom and little girl was given to me by a dear teacher friend, Carol.  We are both remedial English tutors (see  I love the statue as it reminds me of the relationship aspect of learning, which is reflected in Psalm 119:33-40 (He).  The Part II photo is an illustration of the heart being transformed from a heart blackened by hidden sin to a blood-red heart by the rays of God’s mercy and grace.  It is not a perfect illustration; the fulcrum for change is the cross of Christ.  A cross is needed somewhere, but we do have the blood. The sins are fading as the blood washes each one and the rays of the light of God’s Word (Jesus is the Word) penetrate to even our darkest, most hidden secrets.  The blood reaches there, too.  The featured image at the top shows a Bible study with one important element–the mirror of self-evaluation and petition to God. I hope my attempts are successful in making us remember as we contemplate He together.

Shepherd’s Door:  This graphic is from “Explore the Ideal Shepherd” at Step Into the Story (  It is not my own graphic.  Please do visit the website and read this excellent article explaining the metaphorical content of John 10.

Guardian Angel with Children on Bridge:   This unnamed, anonymously authored print was photographed by me from a matted and framed version displayed at St. Mungo Museum of Religious Life and Art, Glasgow, Scotland.  It was cropped and retouched by me to reduce camera glare from the glass covering.

An interesting backstory to this painting appears at “The Story Behind This Guardian Angel Painting” by Appalachian Magazine, January 27, 2017 at The print is in the public domain and there are many renditions of it.  Apparently at one point there was a version that had a forest painted such that the face of Jesus could be detected and this face glowed in the dark, leading some to think there was a demon hidden in the painting.  Another version says that a face can be detected in the girl’s red hair, but that this is either a coincidence or otherwise is not a demon.

My point is to depict God’s supernatural care early in life, which is the way most people regard this print, without its earliest influences.  As a child, I, too, innocently took great comfort in the picture.  To me, the angel represented God’s care; I never thought of any doctrine of angels except that I knew they exist to serve God and man at God’s command.  Looking at the missing planks on the bridge, I got it.  It alerted me to the idea that there are things going on in the spiritual world all around me of which I am not aware. It reminded me that I can’t take care of myself, but that I can and must trust God to be my Keeper and my Guide.

This print may be painful to you, as you may feel that God abandoned you during the harm and abuse you suffered in early years at the hands of authority figures, family, or your peers.  The print is not a doctrinal treatise.  But the truth remains that all our lives we are watched over by God, even when His purposes are often mysterious to us in this life.  We have this promise that whatever He allows is part of a greater plan to draw us at the appropriate time for salvation and for our greater joy and ultimate restoration and healing.  The Bible is full of incidences of injustice, and yet the Lord fulfills his greater promise above and beyond what evil had designed for our destruction.

If this painting disturbs or causes pain, disregard it and look beyond it to the real hope that is yours now in Christ Jesus.  Please do read the articles given in the “Further Resources” section below the blog post.

Smut and erosion, Monteath Mausoleum, Glasgow Necropolis, Scotland.  Taken September 2018.

It was such a lovely orange-stone, thoughtfully-carved octagonal building set close to the overlook and close to the John Knox monument.  But years of industrial soot and the heavy winds and weather had pitted, soiled and degraded its features.

Time and erosion happens to us, too.  Still, in this photo, you can see the glory that it once was.  In time, we too shall be remade and the corruptible will be changed into incorruption.  We shall shine in better than our former glory, we shall be new!  Now, we are being made new in our spirits, but even our bodies are precious to Him and we will be complete in evey way!  Hallelujah!

I wish I could show more photos that I took from this cemetery (that is not a Christian cemetery, despite some godly people memorialized there).  One in particular took my eye, and my heart as well. (See below)

Monteath Mausoleum, Glasgow Necropolis
Glasgow Necropolis










“In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.” (1 Corinthians 15:52)

Though sullied by the dirt of progress, eroded by the harsh winds of adversity, lichened by the neglect of the world, still she watches the eastern sunrise and looks to her redemption which “draweth nigh”.  The beauty of the picture, set amongst the studded graves of those who do not share this hope, gripped my heart.  With the eternal sky as her backdrop, she waits…ever alert, despite the sleepiness of the ages. The angel “knows” that the one beneath the ground will one day burst forth from this hill to meet the Lord in the air. Quietly, the stone declares this hope with the words of 1 Corinthians engraved for all to see.

Interestingly, this Necropolis, or “City of the Dead” was one of the first moves to privatize (i.e., commercialize) the burial of the dead apart from church grounds (1833).  One website claims that most of those who planned and sponsored this “city” were Freemasons.  It was designed as a glorified status-clinching cemetery city on a hill for the wealthy and worldly noble. It was not designed for the common folk.  Still, Christ will have His way; some of those wealthy were godly-minded and planted their Christian witness there, anyway.

As I walked about the hilltop, I looked for signs of Christian hope in symbol or in word (epitaphs).  There were some: the John Knox monument at the hill’s peak, the artfully designed Celtic crosses–if it wasn’t just an artful design to them, a very few inscriptions and testaments to noble Christian deeds.  Most only drily told the name, dates, and sometimes their earthly contributions.

This one, however, was unmistakably designed to glorify the Lord and His promise. She is me…dirty, sequestered, broken in places, weathered, her strap falling off her shoulder; but she watches and waits in faith.  I was encouraged.  I hope you are, too.

Meditations on Psalm 119, the featured photo throughout this website.  Taken spring 2018.

Tropical sunset on Brenneke Beach, Kauai, Hawaii (this page).  Taken by my dear husband 2017.

Oakwood University’s Historic Slave Cemetery, Huntsville, AL.  On/near the campus of Oakwood University.  Taken spring of 2018.  See “The Sign of My Being” blog post, July 25, 2018.  NOTE:  Driving the back way from US Hwy 72 toward the Oakwood University Campus, I noted a brown historic sign “Historic Slave Cemetery” and decided to turn left into the lovely green and unadulterated landscape. A long and stately tree-lined avenue silently guided me toward a roundabout that opened up onto a quietly serene cemetery.  Out in the distance to the right, three tall crosses signified some special place of significance.  Off to my left stood a short dead-end paved road ending in a tall flag post with a huge American flag waving decorously over the graves of many who in one way or another, great or small, have served and shaped our country.  This is Oakwood’s main cemetery.  But where was the slave cemetery?  I backtracked from the roundabout and came upon a small side road that I had missed.  It led to the commemorative slave cemetery with a marker and a quote from Ellen White:

If they believe on him, his cleansing blood is applied to them. The black man’s name is written in the book of life beside the white man’s.  All are one in Christ.  Birth, station, nationality, or color cnanot elevate or degrade men.  The character makes the man. — Ellen White, Southern Work, 1891


Oakwood Historic Slave Cemetery;

On the back of this stone were the words to an old   spiritual song, “Deep River”: “Deep river, my home is over Jordan. Deep river, Lord; I want to cross over into camp ground.”

I can’t remember being so at peace in such a lovely place of final rest.  Being an avid family historian, I am frequently found in beautiful cemeteries, familiar with their lore and layout. Yet I was struck by the beauty, the repose, and the graciousness with which Oakwood University has so perfectly embued this memorial garden.  And it is a garden.

A gentle rainstorm was brewing. Cooling breezes rustled the trees disturbing the many songbirds taking refuge amongst their branches.  They literally sang in the midst of the coming storm.  The eternally-ring-linked archway, signifies to me both the remembrance of the chains of bondage (one thinks of the elliptical shape), but now also embracing a more perfect unity of the brotherhood of all mankind in Christ with their perfectly circular shapes. This, the memorial markers, and the respectful planning of this largely unnoticed little acreage of green said what it needed to and no more.  It all stands. It quietly and gloriously stands unapologetic in the pain of its remembrances, yet humble with the grace of fellow brothers and sisters in Christ.  I wish more people could see this cemetery.  So here it is for you at least in snapshots.

IMG_6881 5
Memorial Stone;
Resting Place;












Blue Ridge Mountains, Whitetop, VA.  Taken spring 2018.  See featured image for all the 22 Prayers on this website, as well as my introductory blog post “Read Psalm 119“, May 13, 2018.

Two Points in Crisis, taken summer 2018.  See “Crux” blog post, Aug 7, 2018.

Amy Carmichael’s Welcome Church, Belfast, Northern Ireland.  Taken Summer 2018.  See “Living in Prayer” blog post, July 26, 2018. When I have had the privilege of traveling to Belfast, I have asked a cab driver to take me to see Amy Carmichael’s Welcome Church that she began in 1889 for the mill-worker girls who were unable to attend regular church services due to the fact that they were ill-dressed (called “shawlies” for they only had a shawl to wear instead of a proper coat and accoutrements) and unschooled in the ways of church attendance. Each time I have been able to tell them Amy’s story and it has affected each one that I have told.  This picture shows the new Amy Carmichael Center for children and adults with disabilities.          IMG_9342.jpgIMG_9338.jpgIMG_9344.jpg  This is a statue of a mill-worker and below is a picture of the mill.  Amy must have been affected by their plight in a special way.  Her father owned a mill in Millisle and Belfast before he passed away when she was young.  Her work with the mill-workers in Belfast led to a request that she help out with the mill workers in Manchester, England, which she did until her extreme dedication led to her ill health and she had to return home.  Of course, the story continues…Amy was never one to accept any limitation placed on her that prohibited her from obeying her Lord.   Her story is told other places.  I just wanted to share with you my beloved memories.  IMG_9345.jpg

Wild, Uncultivated Thoughts. Taken summer 2018.  See “Wild, Uncultivated Thoughts” blog post, July 10, 2018.

Out of the Darkness, Kilbroney Forest Park, near Rostrevor, Co. Down, Northern Ireland.  Taken summer 2017.  Rostrevor, or rather this area looking down upon Carlingford Lough at the top of Kilbroney F.P. where lies the great Cloughmore Stone, was mentioned by C.S. Lewis as his idea of Narnia.  When walking through the forest, the darkness was so intense and the path so confused that it was easy to imagine the lostness of the forest scenes throughout The Chronicles of Narnia. What a heart-stopping joy it was to see the lush heather-plumped sunlit-from-heaven view at the path’s end!  Metaphors abounded!  Enjoy!  See “Seeing and Being Seen” blog post, July 12, 2018.

Old Mountain Church, Obids Township area, Ashe County, North Carolina. Taken 2017/2018.  See “Read Psalm 119, II” blog post, July 26, 2018.

Crux and Compass, taken summer 2018.  See “Crux” blog post, August 7, 2018.  NOTE:  The compass is open to signify taking a measurement; facing decision and open (hopefully) to answers.

Hidden in Christ, taken summer 2018.  See “Crux” blog post, August 7, 2018 (scroll to the bottom).  NOTE:  The ebony-stained wooden cross that says “Jesus” across the horizontal beam was a purchase at a missions conference. It was supposedly machined and made by African men (prisoners? my memory is sketchy on that detail) in Liberia and the proceeds from the sale went towards missions work there.  When I see it, I  remember all those in Africa facing decisions far larger than my own “made in America” problems.  Also, the compass is closed in this photograph, representing a settled position in Christ.  All is now centered and at rest inside the life of Christ who is ALL.


******** is a link to the original website.  This is NOT my photography.  The link is given at the bottom of the photograph.  I am trying to figure out how to make the entire image linked, but am not able to figure that out at the moment.  Please do visit this link!  See “Not Yet Suffered…” blog post, July 13, 2018.

NOTE:  I recently found that one of the pictures I had linked to was no longer on the linked page. It was not a “resident” linkable image. When I found the photo again to get copyrights, I couldn’t afford the subscription, so I deleted the photo from my system.  Just a note to the more-prudent-than-I to do things the “long way” from the beginning.



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